The Importance of Doing the Laundry: Maintenance Matters

by Kate Roberts, 2017 Literacy for All Conference Featured Speaker

A little while ago, I attended a keynote on the importance of innovation in our schools, classrooms, and nation. It was a rousing speech, and I agreed with all of it. Of course, we need fresh, inspiring ideas to help solve some of our most pernicious problems in education. Of course, we want educators who are able to think in new and creative ways about how to best reach and raise our children. I left energized and rearing to go.

Kate RobertsAs I began to implement these innovative ideas, I hit wall after wall of reality. I didn’t have the resources I needed. I didn’t have the experience to truly teach or guide the new ideas I had, so that when my students had trouble, I was not sure where to go. I still had my old, “un-innovative” curriculum to contend with, plus the assessments that seem unmovable, plus the grading system of my school. My foray into innovation gave me a few days of shiny new practices, but they soon gave way to the gravitational pull of normal.

I was tempted to say, “This just doesn’t work.” (Ok, I did say it.)

I was wrong and, at the same time, right. Many innovative ideas can work – as long as we are able and supported in devoting great amounts of labor to them for the long haul.

Innovation needs maintenance. So does normalcy. In fact, without maintenance, the whole thing (our classrooms, our homes, our world) just falls apart. But there are few keynotes given or books written in praise of the need to carry on and keep things going. There are few PD sessions on the power of grinding away at the same old stuff making sure things are working well enough.

But there should be.

In their Aeon article “Hail the Maintainers,” Andrew Russell and Lee Vinsel make a case for the importance of supporting the maintainers in any profession. From the fall of the Iron Curtain to the inequity arising out of Silicon Valley, they point out that while novel ideas are integral to our evolution, these ideas wind up really taking on a very small percentage of the actual work.

Russell and Vinsel argue that the hard (and mundane) work of maintenance opens up the space for innovation to exist:

“…focusing on infrastructure or on old, existing things rather than novel ones reminds us of the absolute centrality of the work that goes into keeping the entire world going. Despite recurring fantasies about the end of work or the automation of everything, the central fact of our industrial civilization is labour, and most of this work falls far outside the realm of innovation.”

I would argue we do not spend enough time talking about and celebrating the labor of teachers – all the maintenance it takes to get great and innovative ideas up off of the ground and into the world. And we do not spend enough time helping each other to find sustainable ways to practice that maintenance and keep it going.

If innovation requires the essential and mundane work of maintenance, we must carve out ways to support and nurture this unglamorous work. Here are a few ways that we can support the maintenance that takes innovation going:

  1. Consider the systems and structures first.

When an innovative idea comes along, create systems in your classroom to maintain and support that idea, keeping it accountable for you and your students. For example, you go to a workshop on student blogging and expanding their intellectual social network. Great idea. Now, how much class time per week will you devote to this practice and when will that happen? Wednesdays for 20 minutes? Every Friday? Without repetition, innovative ideas will stay flashes in the pan.

Next, ask yourself, where will they do this work? What platform will they use and how will you make sure your kids know how to use it.

Finally, what is the expectation for the outcome? How will you hold them accountable?

When creating a system to maintain innovation, lean on the building blocks of reality:

TIME: When will students practice this innovation and how will they be         reminded?

SPACE: Where will students practice this innovation and how will you know?

MATTER:  (Ok, this is a stretch in the science metaphor) How will the work    take shape, as in, what is the accountable expectation in your classroom.

Without these systems in place, any new idea will be a flash of something promising, yet struggle to take root.

  1. Listen when it feels like too much work.

If you are listening to a speaker or reading a book and begin to feel overwhelmed (like, what is being presented is way too much work for you to actually get up and going), then, honestly, it probably is, at least completely. The answer to innovation cannot be that teachers just take on more and more work into infinity. And yet that is often the implied suggestion behind every professional development session, every new idea, every exhortation to “lift the level of …”

I am not suggesting that you shut down when things feel like too much work. But when you feel like you cannot do it, I am suggesting that you pause, step back, and realize that you will not be able to get everything in place – at least not right now. Ask yourself, “which part of this do I feel like I can tackle right now? Which part feels like it will take some work, but not so much work that my sliver of work/life balance won’t be obliterated?”

This way, you can begin.

  1. Focus on what matters and be willing to let go of the rest.

Innovative ideas can often come packaged in ideals. And yet, as often quoted, perfect is very much the enemy of the good. We can strive to always ask ourselves, “what is truly important about this work? What is the heart of it? Often, when we name what the most important work is, it helps us to set priorities or to simplify the work ahead of us. We can always work on perfecting things, but let’s get the good stuff going first.

When I was in my 20’s, it felt like I was innovating my life. New relationships, new jobs, new cities and friends. But with each new huge life changing experience, I noticed things were falling apart around me. Heaps of dirty clothes piled on the floor. Stacks of bills to be paid. Unreturned phone calls. Before long, the new things  – relationships, jobs and experiences – paled in comparison to the need to maintain. I realized then that the only way I could create this new life for myself was to keep up the day-to-day stuff; this behind-the-scenes maintenance helped me create the headlines in the newspaper of my life.

We can be innovative. But in order to do so we must also maintain.

References

Russell, Andrew and Vinsel, Lee. “Hail the Maintainers.” Aeon.com. https://aeon.co/essays/innovation-is-overvalued-maintenance-often-matters-more. (Accessed August 6th, 2017).

Singing: A Joyful and Meaningful Bridge to Literacy

by Renee Dinnerstein, 2017 Literacy for All Conference Featured Speaker

Renee Dinnerstein“Look Renée, it stopped raining!” Akhira pointed to the window and twenty-four pairs of eyes followed her finger. Sure enough, the incessant rain had stopped and we could, at last, have outdoor play. But for my kindergarten children the ceasing of the rain also meant that at our morning meeting we would all happily sing Blue Skies.

Singing together infused my classroom with good feelings. When Vicky had a problem separating from her father one morning, we all solemnly sang our Comfort Song – “What should I do if my best friend is crying? What should I do? I don’t know what to say. I take my friend in my arms and I hold her.” Of course the children then wanted to continue singing verses for their daddies, mommies, uncles, aunts, sisters, cats and puppies. Eventually Vicky too forgot her separation anxieties and joined in the singing.

I believe that singing is a powerful tool for building community, and not only in classrooms. During the civil rights movement, in the 1950’s and 1960’s, group singing helped freedom fighters hold onto their courage in the most difficult of circumstances. “The freedom songs are playing a strong and vital role in our struggle,” said the Reverend Martin Luther King, Jr., “they give the people new courage and a sense of unity. I think they keep alive a faith, a radiant hope in the future, particularly in our most trying hours.”

Community building in the classroom is probably our first goal as teachers. When we form a cohesive, caring community, class rules seem to easily fall into place. Children help and support each other, bullying becomes practically a non-issue and maintaining discipline is not the teacher’s priority.

Before I continue writing about the importance and joy of singing with children, I must address the issue of voice. Many teachers have told me that they really cannot sing in school because they don’t have good singing voices. Truth be told, my voice is somewhat flat and I have difficulty carrying a tune. However, that never seemed to bother the children in any of my classes.

We sang every day and for many different purposes. As we studied bridges, we sang Love Can Build a Bridge, which led to an interesting discussion of metaphors. Maggie described a kiss as the bridge of lips between two people and Nils noticed that a rainbow could be a bridge from our earth to the sky. During the years that I co-taught with Connie Norgren, combining her first grade class and my kindergarten class each day for Choice Time, Inquiry Studies and group sings, Connie, a wonderful guitarist and folk singer, taught us many ecology songs (Think About the Earth; The Garden Song), freedom songs (Ain’t Gonna Let Nobody Turn Me Around; Rosa Parks; This Little Light of Mine) and songs from different cultures, (Des Colores; Que Bonita Bandera; Santa Lucia)

Many literacy skills can grow out of the joyful experiences of singing together. Here are but a few of them.

Phonemic Awareness

When children sing and clap out songs, they are also playing around with sounds. They segment them and then put them back together again.  They tap and clap out rhythms. Consider the song Baby Beluga where the rhythm spaces the song into syllables, “Ba-by Be-lu-ga, in the deep blue sea” or the chant Miss Mary Mack:  “Miss Mar-y Mack, Mack Mack. All dressed in black, black, black. With sil-ver buc-kles all down her back, back, back.”

Rhyme

Because there are so many rhyming songs it’s almost difficult to know which ones to highlight. For starters there’s Down By the Bay, Jenny Jenkins, and This Old Man (which is also a counting song). Singing songs that mix up initial consonants such as in Willoughby, Wallaby Woo bring out lots of giggles but also involve children in thinking about the sounds of the consonants in addition to the rhymes.

Alphabetic Awareness

Besides the old standby of the ABC song, don’t forget about A You’re Adorable. My class loved to sit in a circle and write the letters on each other’s back as they sang. Then they rubbed their hands across the back that they wrote on to erase the letters, turned around and re-sang the song as they wrote in upper case! It was a non-threatening way for children to practice writing the alphabet and it gave me the opportunity to casually walk around the circle, singing and noticing who was still having difficulty with letter formation.

Phonemic Awareness and Spelling Patterns

A song that opens up opportunities for the engaging activity of going on hunts for spelling patterns is I Can’t Spell Hippopotamus.  After we’ve had many opportunities to sing that funny song and come up with some simple spelling patterns (can, man, pan or bet, let, set) children set themselves up in partnerships, get sticky-notes and pencils, and peruse the classroom looking for spelling patterns on charts and in books around the room. Then we get back together and sing again, incorporating their notes into the song. It’s a game, it’s a song, it’s a spelling lesson, and it’s fun!

One to One Word Recognition

After children know a song really well (“by heart”), put the lyrics on a chart and the children will begin making connections between the words that they have been singing and the words that are written on the paper. Children can then take turns being the teacher and, with a wooden stick (I’ve used a chopstick), point to the words as the class reads and sings along. Children might take turns looking for sight words on the song chart and underlining them. Then they might put circles or boxes around words in the song that keep repeating. The key importance here is to wait until the children have internalized the words of the song aurally before making them visual. When you do that, the print is meaningful to the reader.

In June, I often celebrated our year of singing by recording the children singing together, making copies of the tape (would it be a CD today?) for each child and adding a sing-along songbook.  I recently met a former student, now a college graduate, who told me that for years after kindergarten she listened to the tape and that the family played it when they went on long trips so that they could all sing along together, karaoke style!

I like to keep in mind the words from an African spiritual that encourages us to “sing when the spirit says sing,” and to bring spirit and joy into each school day. Joyful singing can become a bridge to many joyful literacy learning experiences!

 

Renee Dinnerstein is a featured speaker at our 2017 Literacy for All Conference, October 22-24th.  She will be presenting on Monday and Tuesday of the Conference.  Click here for detailed information on all of our workshops.

Literacy for All Conference Recap

2013 LFA RecapHere’s a recap of all the tweets, photos, and links from this year’s 2013 Literacy for All Conference in Providence, RI

Some of the tweets…

JoEllen McCarthy @imalwayslearnin

Reading is thinking & talking. Lean in, listen bc instructional read alouds help us to get our hands on kids’ thinking. – @dsantman #lfa2013

Jenn Sinal @sinal_jenn

Fountas- We need students doing more thinking, talking, and constructing ideas about texts. #lfa2013

Amy Booms @Humanities101

In Guided Reading, all students need to participate at their own pace by whisper reading! #LFA2013 w/Diane Powell

Here’s what attendees had to say about their sessions…

“Informative and engaging… So many wonderful resources to take back to my classroom!”

“Fast moving, interesting, fun, informative, and efficient. This presentation was full of ideas to use immediately in the classroom.”

“I enjoyed being given the opportunity to work with the other teachers throughout the workshop. It was a great reminder of how important and valuable collaboration is.”

Conference PhotoConference handouts have been posted for sessions and can be found at:

http://www.lesley.edu/literacy-for-all-conference/handouts/

Study Driven: A Framework for Planning Units in the Writing Workshop by Katie Wood Ray

By Jill Eurich

Assistant Director, Intermediate/Middle School Trainer, Center for Reading Recovery and Literacy Collaborative

In the past few months I have posted a series of blogs about inquiry.  In light of that work I wanted to recommend Katie Wood Ray’s Study Driven to you.  At the heart of this book is this essential understanding: “Framing instruction as study represents an essential stance to teaching, an inquiry stance, characterized by repositioning curriculum as the outcome of instruction rather than the starting point.” P. 19

This book is divided into three parts.  In the first section Katie deepens our understanding of how study, as both a noun and a verb, help us, as teachers, and our students analyze the kind of writing we are going to produce ourselves.  By studying a stack of writing similar to the writing we will create, we become familiar with genre, audience, purpose, content, craft, voice, length and conventions.  Katie also helps us think about the concept of, “Before Revision, Vision.” P. 35  In other words, to effectively develop and revise a certain kind of writing, we as writers, can’t envision the kind of writing we first need to envision what that writing is like.  Some of the ways Katie Wood Ray expands on this topic of study in the writing workshop is to address Selecting Texts to Anchor Close Study, Reading Immersion in Close Study, Writing Under the Influence in All Phases of Study and The Tension of Time, the Promise of Depth. These and other chapters help us with rationale and best practice around this method of teaching.

The second element in this book is a Craft Pause that happens at the end of each chapter in the first section.  This is an exploration of craft moves you might discover with a close study of text. It provides rich examples of a variety of writing instruction we can teach our students, as we, and they examine text closely. It helps us think about these craft moves but also implies that this is just a small taste of the endless ways we can learn from writers.

The last part of the book provides information on a wide variety of units of study we can engage in with our students.  The Study Possibility is briefly described.  There may be an example of the kind of writing provided followed by suggestions of resources where that kind of writing can be found.  This might include picture books, magazines, collections, excerpts and newspapers.  The idea of learning about writers from other writers is an exciting prospect but finding a pile of appropriate examples is daunting so this becomes an invaluable resource.

If you are not already familiar with it, I strongly recommend you put Study Driven at the top of your professional booklist of “must read” for the summer.   It eloquently articulates how and why to take an inquiry stance in our teaching.  “Inquiry does not narrow our perspective it gives us more understandings questions and possibilities than when we started.” p. 26-27

Source

Ray, K.W. (2006).  Study driven: A framework for planning units of study in the writing workshop.  Portsmouth, NH:  Heinemann.